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Beginning with “Send to Robin Immediately” and the title track from the singer’s 2018 album LP, the crowd roaring in approval and moving along as the singer gyrated her hips and flung her arms wide as if defending herself against an army of attackers.
She followed that with “Hang With Me,” another track, for one of those early set peaks and an enthusiastic crowd sing-along.
Dancing was a particular emphasis of this show, thanks largely to Robyn’s idiosyncratic style of movement.
If you missed the robin cam, don’t worry; there are still plenty of opportunities to watch birds nest, court, and feed on Bird Cams.
On tracks like “Honey” and “Because It’s in the Music,” she explored the softer nooks and crannies of her voice in a vulnerable whisper, while on some of her best-loved numbers like “Dancing on My Own,” the audience’s ability to handle her choruses gave her a little space to throw in some soulful ad libs.
In addition to the beloved songs from her three solo albums, Robyn’s set was also peppered with recent collaborations.
She didn’t want to jump the gun by celebrating before being absolutely certain that the results were final. It’s sure.’” Erbesfield-Raboutou was breathless as she said, “I still can’t believe it. I mean, I knew she had it in her—everyone who’s there believes that they can do it—but to see it come together, it just blew me away.” Erbesfield-Raboutou had planned to be in Japan with her daughter, but she had been called back to the States early by work.
“She Face Timed me,” Erbesfield-Raboutou recalled, “and she goes, ‘Mom? “She had the US team and the US coaches, but she was one of the only competitors without a parent, without a family member there,” said Erbesfield-Raboutou.