Dating furniture 20th century

The folding stool also proliferated similarly, after it was adapted from designs developed by nomadic tribes to the North and West, who used them for both their convenience and light weight in many applications such as mounting horses.Later, woven hourglass-shaped stools evolved; a design still in use today throughout China.It was especially popular on screens, which were common in China.Lacquer inlaid with mother of pearl was especially a technique used on furniture.The furniture present in some of the artwork from that early period shows woven mats on elevated floors, sometimes accompanied by arm rests, providing seating accompanied by low tables.

Chinese furniture traditionally consisted of four distinct categories, all formed by the mid Qing dynasty, but each with its own unique characteristics. Further, the oily and resinous woods used in Chinese furniture generally do not glue well, even when pre-cleaned with modern industrial solvents.

Buddhism, entering China around AD 200, brought with it the idea of (the Buddha) sitting upon a raised platform instead of simply mats.

The platform was adopted as an honorific seat for special guests and dignitaries or officials.

Classic Chinese furniture is typically made of a class of hardwoods, known collectively as "rosewood" (紅木, literally "red wood"). Platform construction is based on box designs and uses frame-and-panel construction in simple form during earlier periods evolving into more and more modified forms in later periods.

These woods are denser than water, fine grained, and high in oils and resins. While earlier pieces show full frame-and-panel construction techniques, different parts of the construction were modified through the centuries to produce diverse looking pieces which still share the same basic construction.

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Ming styles have largely set the style for furniture in traditional Chinese style in subsequent periods, though as in other areas of Chinese art, the 18th and 19th centuries saw increasing prosperity used for sometimes excessively elaborated pieces, as wider groups in society were able to imitate court styles.

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